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Photos Add Image. Edit Cast Cast overview, first billed only: Loretta Young Doris Borland Warner Baxter Cecil Carver Cesar Romero Hugo George Barbier Major Blair J.

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Sorry, ladies. In the episodes " The Magician's Apprentice " and " The Witch's Familiar " , it was apparently destroyed by a Dalek laser, but shown to have deliberately vaporised itself as a protective measure — the Doctor was then able to cause it to reassemble itself, undamaged, in the same spot.

There were originally registered Type 40s, but all the others had been decommissioned and replaced by new, improved models; [27] however, the Doctor's TARDIS had at some point been removed from the registry by the Celestial Intervention Agency on Gallifrey.

By the time of The Pirate Planet , the Doctor had been travelling on board in time and space for years, by the time of " The Doctor's Wife " , he had been travelling in it for years, and in " Journey to the Centre of the TARDIS " he had been travelling for years.

The appearance of the primary console room has changed over the years, sometimes in minor ways and sometimes drastically when the set has had to be moved or rebuilt.

This has often been rationalised in the scripts as redecoration, the ship's own ability to reconfigure or repair itself, [32] [33] or even a change of "desktop theme".

Its door is recessed and slides to open. The ability to alter its appearance was first mentioned in the second episode of the series, where the First Doctor and Susan noted the unit was malfunctioning.

Why hasn't it changed? The name "chameleon circuit" was first used in the Target Books novelisation of The Terror of the Autons , and eventually mentioned on screen in Logopolis The circuit was called a " cloaking device " by the Eighth Doctor in the television movie Doctor Who , and again a "chameleon circuit" in the series episode " Boom Town ".

The Doctor attempts to repair the circuit in Logopolis , to disastrous results. He tries again in Attack of the Cybermen , but the successful transformations of the TARDIS into the shape of a pipe organ , a painted Welsh dresser , and an elaborate gateway ended with a return to the police box shape.

In the television movie, and later in the episode "Boom Town", the Doctor implies that he had stopped trying to fix the circuit quite some time ago because he had become rather fond of the police box shape.

In "Boom Town", the Ninth Doctor simply notes that humans do not notice odd things like the TARDIS, echoing a similar sentiment expressed by the Seventh Doctor in Remembrance of the Daleks , that humans have an "amazing capacity for self-deception.

Cosmetically, the police box exterior of the TARDIS has remained virtually unchanged, although there have been slight modifications over the years.

For example, the sign on the door concealing the police telephone has been black letters on a white background An Unearthly Child , white on blue The Seeds of Death , [ dubious — discuss ] and white on black The Curse of Peladon , Other modifications include different wordings on the phone panel; for example, "Urgent Calls" An Unearthly Child as opposed to "All Calls" Castrovalva publicity photos.

John Ambulance badge on the main doors, as did real police boxes; this has been reinstated and the window frame colour has returned to white for Matt Smith 's first season as the Doctor, shown in These various versions are depicted when thirteen incarnations of the Doctor all converge on Gallifrey at the climax of " The Day of the Doctor " The telephone cupboard can be opened and the telephone accessed from the exterior.

Although the tomb retains its police box exterior appearance, its interior volume begins to "leak", growing the exterior to hundreds of feet in height.

For most of the series's run, the exterior doors of the police box operated separately from the heavier interior doors, although sometimes the two sets could open simultaneously to allow the ship's passengers to look directly outside and vice versa.

The revived series' TARDIS features no such secondary doors; the police box doors open directly into the console room. The Doctor almost always opens the doors inwards, despite the fact that a real police box door opened outwards; in " The Doctor's Wife " , it is revealed that the TARDIS is aware of this and finds it annoying.

After crash-landing on its back in Amelia Pond's garden in " The Eleventh Hour " , the doors uncharacteristically open outward, as they had previously done when the TARDIS was also on its back in The Ice Warriors ; additionally, the left door opened in tandem with the usual right door in these instances.

When hovering against a building in the same 'doors-up' horizontal orientation in " Day of the Moon " , however, the doors opened inward as usual to receive River Song.

The doors are supposed to be closed while materialising; in Planet of Giants , the opening of the doors during a materialisation sequence causes the ship and its occupants to shrink to doll size.

In Warriors' Gate , the doors open during flight between two universes, admitting a Tharil named Biroc, and allowing the time winds to burn the Doctor's hand and seriously damage K9.

In " The Runaway Bride " , " The Stolen Earth " and subsequent stories, the doors can be opened safely while the ship is in a vacuum, as the TARDIS protects its occupants see the " Defences " section below ; in The Horns of Nimon , the Doctor deliberately extrudes the "defence shield" to dock with a spacecraft.

In " The Time of Angels " , River asks the Doctor to provide an "air corridor" to assist in her escape from the Byzantium in deep space.

The entrance to the TARDIS is capable of being locked and unlocked from the outside with a key, which the Doctor keeps on his person and occasionally gives copies of to his companions.

In the series, the keys are also remotely linked to the TARDIS, capable of signalling its presence or impending arrival by heating up and glowing.

The key is also able to repair temporal anomalies and paradoxes, including death aversion, through its link to the TARDIS.

Originally, it was said to have 21 different "combinations" and would melt if the key was placed in the wrong one The Daleks , — The First Doctor was also able to unlock it with his ring The Web Planet , and repair it by using the light of an alien sun refracted through the ring's jewel The Daleks' Master Plan , — In The Dalek Invasion of Earth , this is known as 'double-locking'.

In Spearhead from Space , the Third Doctor said that the lock had a metabolism detector, so that even if an unauthorised person had a key, the doors would remain locked.

This security measure was also seen in the New Series Adventures novel Only Human , which called it an "advanced meson recognition system.

Despite the TARDIS' apparent infallibility in its security, some of the instruments inside or the interior itself have been breached and remote-controlled.

In the episode " Forest of the Dead " , River Song a character whose timeline intersects with the Doctor's in non-linear order says to the Doctor that she knows he would be able to open the TARDIS' doors with a snap of his fingers.

Although the Doctor dismisses this as impossible, at the episode's conclusion, he opens and closes the doors by doing just that, eschewing the need for a key.

Later in the same episode, the key fob, when again used by the Doctor, shifts the TARDIS "just a second out of sync" one second into the future , rendering it invisible and so hiding it from the Master.

The arrow remains in the door throughout the serial and through several dematerialisations before being removed at the story's conclusion; this is repeated in " The Shakespeare Code " , and the arrow is removed in the following episode, " Gridlock ".

To prevent Clara from dying, the TARDIS has to extend its force field to protect her, which drastically slows down its time travel and results in it arriving years too late with a visibly aged Doctor.

After materialisation, they are shown to be burning. At the conclusion of the episode " Face the Raven ", Rigsy decorates the TARDIS with painted flowers and a chalk drawing of Clara Oswald; when the Doctor dematerialises the retrieved TARDIS at the conclusion of " Hell Bent " , the painted flowers and picture remain for a moment before the picture blows away and the flowers flake and fall to the ground.

The Ninth Doctor uses his sonic screwdriver to trigger remotely "Emergency Program One", sending his human companion Rose Tyler to safety, while he stayed behind for a battle against the Daleks " The Parting of the Ways ", However, this trick is used in turn by the Empress of the Racnoss, which pulls the TARDIS from the creation of the Earth to only a few minutes after its initial departure.

The exterior dimensions can be severed from the interior dimensions under extraordinary circumstances. In Frontios , when the TARDIS is destroyed in a Tractator -induced meteor storm , the interior ends up outside the police box shell with various bits embedded in the surrounding rock.

The Fifth Doctor eventually tricks the Gravis , leader of the Tractators, into reassembling the ship. In " Father's Day " , a temporal paradox resulting in a wound in time throws the interior of the ship out of the wound, leaving the TARDIS an empty shell of a police box.

In " Turn Left " , the "Police Box" sign and all other text on the TARDIS is shown as replaced with the words " Bad Wolf ", as is all text in the universe; this is interpreted by the Doctor as an urgent warning concerning the end of the universe.

The TARDIS interior has an unknown number of rooms and corridors, and the dimensions of the interior have not been specified. In " The Doctor's Wife " , a fail-safe transfers any living creatures in "deleted" rooms to the main control room, and old and future control rooms can be "archived" by the TARDIS without the Doctor's knowledge.

Other rooms seen include living quarters for many of the Doctor's companions. However, the Seventh Doctor spin-off novel Deceit indicates that the Doctor rebuilt the Zero Room shortly before the events of that novel.

In some of [ clarification needed ] the First Doctor serials, a nearby room contains a machine that dispenses food or nutrition bars to the Doctor and his companions.

This machine disappears after the first few [ clarification needed ] serials, although mention is occasionally made of the TARDIS kitchen.

It has been speculated [43] that this is a mistake by the character and refers to its internal weight, as the external part of the TARDIS is at other times light enough for it to be lifted or otherwise moved with relative ease although most real police boxes were concrete and hence quite difficult to move : several men lift it up in Marco Polo , it is transported by truck and installed indoors by hand all off-screen in Spearhead from Space , it requires a fork-lift truck in Time-Flight and is lifted in the cargo hold of a Concorde in the same serial, a group of small blue maintenance workers on Platform One push it along the ground in " The End of the World " , a quartet of Weeping Angels are able to rock it back and forth in " Blink " , and in " The Day of the Doctor " it is lifted by a helicopter using a steel cable.

If the solid exterior of the TARDIS is moved or shaken after materialisation, the movement is usually transmitted to its interior [44] " The Impossible Astronaut ", , although there is a manual control to separate the internal gravity from the exterior's orientation Time-Flight , In the tie-in novels, the interior of the TARDIS has been known to contain an entire city, [46] encompass an entire parallel Earth, [47] and even dwarf Gallifrey itself when turned inside out.

The design of the roundels has varied throughout the show's history, from a basic circular cut-out with black background to a photographic image printed on wall board, to translucent illuminated discs in later serials.

In the secondary console room, most of the roundels were executed in recessed wood panelling, with a few decorative ones in what appeared to be stained glass.

Ever since the TARDIS was redesigned at the beginning of the series, there have been a range of different roundel designs around the console room.

These include circular holes that are recessed deep into the walls, hexagonal holes that are lit from behind each face, round indents with brass rings around the outside, and a glass centre that is illuminated blue.

Although the interior corridors seen throughout the original series were not initially seen in the series, the fact that they still exist was established in " The Unquiet Dead " , when the Doctor gives Rose some very complicated directions to the TARDIS wardrobe.

The wardrobe is mentioned several times in the original series and spin-off fiction, and seen in The Androids of Tara , The Twin Dilemma and Time and the Rani The redesigned version, from which the Tenth Doctor chooses his new clothes, was seen in " The Christmas Invasion " as a large multi-levelled room with a helical staircase.

The corridors were eventually seen in the episode "The Doctor's Wife". In " The Parting of the Ways " it was shown that this is connected to the powerful energies of the time vortex.

This room will remain ambiguous. The new roof includes a second crystal pointing towards the central column crystals. The roof was created by production designer Dafydd Shurmer.

It was originally called the "control room", being described as such in the stage directions of many scripts, and on air in such stories as The Masque of Mandragora , in which the Fourth Doctor says: "Do you know, this is the second control room.

The original console room was designed by Peter Brachacki. It was built on a shoestring budget and a tight schedule, which led to Brachacki leaving the show due to disagreements with the production team and possibly a feeling that he had been given an impossible task.

This new set, designed by Tim Gleeson, was disliked by producer Barry Letts, who felt that the new roundels resembled washing-up bowls stuck to the wall.

However, as fate would have it, the set was damaged in storage between production blocks and had to be rebuilt, so this particular design only saw service in the one serial.

Putting the console on a dais meant the cameramen no longer had to crouch for eye-level shots. However the set walls warped after it was put into storage at the end of production, and it had to be discarded.

In addition, a cavernous, well-furnished console room was used in the television movie Doctor Who In the series, the console room became a dome-shaped chamber with organic-looking support columns, and the interior doors were removed.

The change in configuration is explained in " Time Crash " by the Fifth Doctor as a mere changing of "the desktop theme " to "Coral" he also indicates that a "Leopard Skin" theme is also available, but he dislikes it.

Several episodes of the revived series, such as " Army of Ghosts " and the end of " The Unicorn and the Wasp " , reveal that there is storage space directly underneath the console room; the Doctor is shown periodically obtaining equipment from this area via a panel in the floor.

The console room was destroyed by the regeneration energy of the Tenth Doctor in the final scene of " The End of Time " —10 and cold open of " The Eleventh Hour " , although it makes a reappearance in the episode "The Doctor's Wife" as well as the 50th anniversary special " The Day of the Doctor ".

This console room has made the most appearances in the revived series, and is the most well known one. The active console room at a given time will be the one connected to the exterior doors for ingress and egress.

A third console room design was unveiled in the Christmas special " The Snowmen ". Though the central pillar is still connected to the ceiling — a design element introduced in the movie, and continued in the series — it is now joined to three circular connectors marked with Gallifreyan symbols that rotate clockwise and anticlockwise when the TARDIS is in flight.

Showrunner Steven Moffat stated that the new design was meant to be more 'scary' and machine-like than the previous bright orange design, which was more 'whimsical' to reflect upon the light-hearted and fairy-tale-like nature of the episodes following its introduction in " The Eleventh Hour ".

For instance, in " Hide " , Clara's statement that the TARDIS actively dislikes her is intercut with footage of its circular connectors spinning from the ceiling.

For the eighth series, Peter Capaldi's first as the Doctor, this console was still used but was tweaked and altered slightly, including the addition of a blackboard and bookshelves and the time rotor was changed to an orange colour replacing the blue.

A previously unseen version of the console room made an appearance in " The Day of the Doctor " and is associated with the War Doctor , portrayed by John Hurt.

This console room has walls that are similar in design to those first seen in , with multiple roundels illuminated from behind. As seen in " Journey to the Centre of the TARDIS ", the console room is able to be replicated any number of times to create "echo rooms"; occupants in each of the different echo rooms will be able to feel the presence of the others in the forms of shadows and sounds, as the rooms are together for a brief second, with the rooms rapidly alternating between each other, "like a light switch The Virgin novels introduced a tertiary console room, which was described as resembling a Gothic cathedral Nightshade , Another novel Death and Diplomacy , suggested that the native configuration is so complex and irrational that most non-Time Lords who witness it are driven mad from the experience.

Throughout the programme's history there have been various attempts at humanising the console room by adding various accoutrements.

For example, a hatstand has often been located somewhere in the room, and at the beginning of the series an old clock appeared in the room as well.

In The Androids of Tara a cupboard containing fishing gear is shown nearby. In " The Rebel Flesh " , a dartboard is seen installed in the console room, and it is revealed in the episode " Vincent and the Doctor " that the console is capable of playing recorded music.

In keeping with the darker and more machine-like setting of the redesign of the console room, there is no hat-stand or bench; in "Hide", the Doctor and Clara both note that there is no longer anywhere in the room on which to hang Clara's umbrella.

The main feature of the console rooms, in any of the known configurations, is the TARDIS console that holds the instruments that control the ship's functions.

The appearance of the primary TARDIS consoles has varied widely but shares common details: hexagonal pedestals with controls around the periphery, and a moveable column or time rotor as it has been called in the original series and the episode " The Doctor's Wife " in the centre that bobs rhythmically up and down when the TARDIS is in flight, like a pump or a piston.

The secondary console was first seen in season 14 —77 of the original series. It had the controls hidden behind wooden panels and had no central column.

The television movie console also appeared to be made of wood and the central column connected to the ceiling of the console room.

When the console appeared in it was circular in shape but still divided into six segments, with both the control panels and the central column glowing green, the latter once again connected to the ceiling.

The console has a much more thrown-together appearance than previous consoles, with bits of junk from various eras substituting as makeshift controls, including a glass paperweight, a locomotive style water sight glass and protector, a small bell, and a bicycle pump, the latter identified in the Tenth Doctor interactive mini-episode " Attack of the Graske " as the vortex loop control.

Three other controls—the dimensional stabiliser, vector tracker, and the handbrake—were also identified. Although the stabiliser had been mentioned before in the series, the canonicity of the mini-episode is also unclear.

As seen in " World War Three " , there is also a working telephone attached to the console. In the series, the new console includes items such as a washer-fluid bottle from a car and a typewriter keyboard.

The First Doctor did not initially seem to be able to steer it accurately, making only one intended landing to the planet Kembel in The Daleks' Master Plan —66 by using the directional unit taken from another TARDIS before the unit burns out.

This device was eventually removed in The Leisure Hive In the and later series, the Doctor is shown piloting the TARDIS at will, although writers continue to use the plot device of having the TARDIS randomly land somewhere, or imply that the TARDIS is "temperamental" in its courses through time and space, such as missing his intended mark by a century instead of in " Tooth and Claw " , making the mistake of 12 months instead of 12 hours in " Aliens of London " , getting the correct time but landing on the wrong continent London instead of New York in " The Idiot's Lantern " or even facing the wrong way blocked by a metal container in " Fear Her " He can also choose to "set the controls to random" as in " Planet of the Ood " Although the Eleventh Doctor 's spatial accuracy in " The Eleventh Hour " was spot-on, the TARDIS' malfunctioning helmic regulator prevents him from controlling the exact time he arrives at, first promising a young Amelia that he would be gone for only five minutes, but taking 12 years to return, and again when he intended to leave Amy for a short while to give the newly regenerated TARDIS a brief shakedown cruise , and ends up returning another two years in the future.

The Doctor in his eleventh incarnation was generally able to land the TARDIS with significantly superior accuracy to that of his predecessors.

He returned four times to the same spot in Amy Pond 's garden where he had crash-landed and originally met her.

He delivered himself to the precise space-time location where the pair and, unbeknownst to them, their daughter River Song had summoned him; " Let's Kill Hitler " and his pin-point accurate landings repeatedly allowed him to catch River and save her life " The Time of Angels ", " Day of the Moon ".

In Inferno the Doctor accidentally rides the detached console into a parallel universe. The console can dispense Custard cream biscuits as of The Ghost Monument , The console in the Doctor Who Series 12 includes new screens that can project information onto a cloud of water vapour.

In "The Doctor's Wife", the "soul" of the ship is transferred into the body of a humanoid female called Idris, enabling the Doctor to have a conversation with his craft.